When it comes to great covers of Nintendo songs, there are plenty to choose from. Indeed, with such projects as Zelda Reorchestrated, OC Remix and Pokemon Reorchestrated out there making covers of entire soundtracks, you could probably find a ton to listen to from those sources alone.
But here are some… slightly more obscure (but still fantastic) Nintendo music covers. The kind on Youtube that don’t ever seem to get enough views for their quality and that arguably deserve the attention more than the big names ever will. Here are eight awesome Nintendo music covers that any of you fans just have to listen to!
8. Mario & Luigi Bowser’s Inside Story Final Boss; Orchestral Remix
Now, there have been many, many covers of the fantastic final boss theme from this game. Like, 8 bit ones, 16 bit ones, rock ones, techno ones… you name a music style and someone has probably redone this theme in that style.
But here is possibly the best of them. Behold, the epic orchestral remix of Bowser’s Inside Story’s final boss theme:
Yes, it’s loud as hell. Your ears could well be blasted clean off the side of your head if you play this at maximum volume. But either way, it is epic. Just the perfect thing for a grandiose final boss showdown, regardless of the game.
7. Mario & Luigi Superstar Saga Soundtrack; Orchestrated
Mario & Luigi Superstar Saga is already a game with a phenomenal soundtrack. But do you know what would make it even better?
If the whole thing was redone in an orchestral style using decent instruments. And what do you know, there’s actually someone on Youtube who’s doing just that! Behold Bryan Hermus’ fantastic covers of the Mario & Luigi Superstar Saga soundtrack. Including Stardust Fields:
The main battle theme (as you’d expect):
And the main boss theme, which sounds even better with updated instruments:
You can keep track on his progress on his Youtube channel, as linked here:
Bryan Hermus (Purple 1222119)’s Youtube Channel
He’s only done four tracks so far, but hey, he’s only started this project in June 2015, so give him some slack. Maybe if we’re lucky we’ll get to hear some fantastic covers of songs like Cackletta’s theme and Bowser’s Castle too! Or even something that makes Joke’s End actually sound cool rather than repetitive!
6. The Legend of Zelda A Link to the Past; Metal Dark World Cover
Enough said to be honest:
It’s already a great song, and this metal cover of it just makes it even better than it already was. Very well done to CSGuitar89 on Youtube for this cover!
5. Donkey Kong 64; Mad Jack Theme
The original song was already menacing as all hell. This?
Is at least ten times more so than even that. Seriously, if hell had a soundtrack (in the good sense), this would be it. It’s arguably the best Donkey Kong 64 music cover ever made.
4. The Legend of Zelda Link’s Awakening; Ballad of the Wind Fish Remake
It’s rare that any Nintendo song (or remix) could actually drive us to tears, but this one seems to actually come close to doing so. Remixing the original ending song from the Game Boy classic in a way that makes it sound like a current gen title (or better), Fox Amoore’s amazing Ballad of the Wind Fish remake is one of the best Zelda music covers out there. Brings back the sadness of seeing Koholint Island disappear like the dream it ever was.
With all the E3 hype around games like Star Fox for Wii U, Final Fantasy 7’s remake and Rare Replay, Yoshi’s Woolly World has kind of fallen off the radar. But while this cute platformer is not the crowd winning triple A title that will sell millions of Wii U systems, it does seem to have some very nice boss battles.
So here they are. Here are all the bosses in Yoshi’s Woolly World, as posted by Youtuber NintenU. Just be warned, there are obviously going to be spoilers…
What do you think about the boss battles in Yoshi’s Woolly World? Are they pretty cool boss concepts for a 2D platformer, and perhaps even the best bosses in a Yoshi game to date?
With how 3D platformers and games in general have improved in the past few years, it’s very easy to think Super Mario 64 has gotten a bit dated. Heck, after the likes of the Banjo Kazooie series and Super Mario 64’s very own sequels, the original must really seem a bit archaic to gamers who didn’t grow up with it.
But Super Mario 64 is still a classic. It may not have aged quite as well as the 2D games did (3D games tend to age poorly due to how 3D graphics work), but there is something amazing about this one game that no sequel or imitator has ever quite recaptured. And that’s what this review is going to discover or explain.
Graphically, Super Mario 64 is a bit dated. The levels and objects look blocky, Mario looks less like Mario and more like a Lego equivalent (there’s a reason Super Mario Sunshine was seen as such a massive leap forward technically) and some things just look primitive to say the least.
But there are still a lot of reasons to like this game’s style. For one thing, the amount of charm in the whole thing is immense, you can tell Nintendo has lovingly crafted each and every corner of every level to make it interesting and unique. The levels looked amazing back in the 90s and they still look pretty nice today, despite their somewhat blocky appearance. It’s hard to explain, but there’s just something so amazing when you first step out into Bob-omb Battlefield and see the whole level in front of you, a land filled with possibiities of all varieties.
Above: This is probably giving Nintendo 64 era kids a lot of nostalgic flashbacks about now…
Stylistically, there’s also a more ‘industrial’ look to Mario 64 as a game that stands out. It’s still very Mario inspired, but the levels often don’t tend to look overly cartoony like the ones in Mario 3D Land and other such games, they have an appearance which makes them feel almost like real places.
Sound wise, the game is very different from any game since. The music just feels more ambient, almost like background sound rather than the striking, stand out style used in Mario Galaxy 1 and 2. This means while the music is often not quite as memorable and will come across as a bit ‘plain’ when you’re merely listening to it on Youtube or other sites, it just fits the level so well. Just listening to the music from the water levels is so soothing, while the haunted house and cave music always has you on edge and the standard grass theme suits the feel of the levels its played in equally well. Just listen for a bit:
It’s also quite clever how Nintendo only used a very limited soundtrack, yet managed to make the music fit every level so perfectly. You never feel the music is inappropriate, despite the fact the EXACT same theme is used for a desert and a fiery hellscape:
Gameplay however is where it shines. Indeed, this was for its time the ‘sand box’ game of the moment. Go anywhere in any levels you unlocked, complete any missions in any order. Play around in levels for the fun of it. That’s so unfortunately lacking in recent Mario platformers.
It’s actually depressing to look back on the game now, since it’s almost an artifact of a forgotten time where 3D was used to make games fun rather than just send players from cut scene to cut scene. The times where developers would make the levels huge open style worlds where you could do whatever at any time. Some current games still sort of feature this, but I’d say the biggest mistake in gaming was when platformers stopped giving you choices and started being all about being ‘cinematic’ or like some movie.
Above: Sadly not limited to First Person Shooters
Adding to the enjoyment of exploring the different worlds and being able to do anything are the power ups. Now, they’re timed rather than being permanent like in 3D Land or the classic 2D games, but all in all they do make the game much more fun. The Wing Cap lets you fly around at will for a while, the Metal Cap lets you be mostly invincible and walk underwater and the Vanish Cap lets you turn translucent and go right through wire fences and enemies. Oh, and the awesome Koopa Shell you can ride across lava, quicksand and water. That’s always been a fun addition that has sadly never returned since.
But really, there’s nothing more amazing than flying around Bob-omb Battlefield for the very first time, having the freedom to take to the skies at any time and to go wherever you wanted. It’s the type of freedom so sorely missing in Mario games since, what with Sunshine, 3D Land and Galaxy 2 lacking such powerful flight options and Galaxy 1 limiting the red star to the two most boring areas of the game.
Super Mario 64 introduced a lot of great gameplay innovations to the series too. Like the ability to go to any level you unlocked and take on any mission you felt like trying. The whole plot point of collecting stars to unlock levels and reach the final boss. Heck, it was basically the start of the 3D collectathon genre that Banjo Kazooie and others like it perfected, and it always has a place in my heart because of this.
This is also the Mario game where that structure works best. Don’t like a mission? Skip it and do something else. Much better than in Sunshine where you had to at least play the first SEVEN levels in each area, or Galaxy 1 and 2 where you near enough had to play most of the levels just to move on. Or Mario 3D Land where you near enough had to play every level, even the ones you found annoying as hell.
It does also help that the level design is amazing and that each area is filled with charm and bursting with secrets to find. Not just the six stars either, there’s also the inevitable 100 coin star, various passages to secret levels, 1-up Mushrooms hidden in numerous devious locations and random teleports with no explanation for their existance. Of all the games in the series, there are so many little random touches and secrets that you really get to feel like Nintendo’s staff had a lot of fun making the game. You feel like each of the levels is a unique world with its own atmosphere and numerous minor elements that just make it feel right.
Why do butterflies turn into bombs and chase you down when you punch them?
Why does Dire Dire Docks lead to the castle pond if you exit past the metal barrier which had Bowser’s face on it?
Why can you teleport between flowerbeds in Bob-omb Battlefield?
None of this stuff is in the manual. It’s like the game’s designers intended you to just mess around and see what you could find. And that’s something so many later games completely missed out on.
Note: Since this review was released, the game has now been added for purchase on the Wii U Virtual Console. If you have a Wii U, we would hence really recommend that you buy this game, since it’s absolutely fantastic and deserves all the promotion it can get.
When it comes to game quality, the Wario series is a pretty mixed bag. On the one hand, you’ve got some of the best 2D platformers around in the form of the Wario Land series, and some also pretty fantastic party games in the form of the better WarioWare games. But then… there’s stuff like Wario Master of Disguise or Game & Wario, complete rubbish with the brand slapped on it to get a few bucks out of the unwary.
Thankfully though, Wario Land 4 falls on the better side of that divide. Indeed, you could even say it’s the last truly fantastic Wario platformer, given how it came right before Nintendo outsourced the series to whatever random third parties were willing to work on it. Never the less, here’s my review of this excellent game.
Graphically, Wario Land 4 looks pretty much fantastic. The backgrounds and tilesets are colourful and full of detail and character, the character and enemy sprites are well animated and feel more lively than those in other 2D platformers, and generally the game looks very nice indeed.
But do you know what makes the graphics here even better?
The fact the game never reuses them. You see, other platformers, tend to be big on palette swaps and reusing the same tileset over and over to save on work. Like how Donkey Kong Country 1’s bosses were each reused at least once with a different colour scheme, or how Super Mario World used a fairly small pool of objects over and over again… or even how a certain eShop game I can’t remember (I think Mighty Switch Force) used the exact same foreground for every single level in the game with merely a bit of recolouring to hide the blatant laziness.
Above: Crescent Moon Village, a unique level in both style and level design
Wario Land 4 doesn’t do this. Instead, it makes sure that each and every level has a brand new set of graphics to make it look unique and memorable. And once the new graphics are introduced? That’s it, no other level in the game will ever reuse them (except the bonus room tileset). As a result, the game really does feel more interesting to play, since you don’t know what graphics to expect in any given level or what new ‘look’ will be introduced when you go through a door or pipe to another part of the same level. For instance, Pinball Zone has what, about six unique backgrounds in it?
Above: Look at that map. Impressive gfx work for just one level…
This level of graphics detail and care is one reason I score the game so high, because the people making it put all their heart and soul in the title and as a result made something that you never get bored of. So as far as graphics go, Wario Land 4 gets a 9/10. It’s not ‘perfect’ (perhaps because it doesn’t have as unique a style as the likes of Yoshi’s Island or Donkey Kong Country), but it’s damn near close to it and for good reason.
Music wise, Wario Land 4 is fantastic.Seriously, I would say the music is arguably the best the GBA has ever been capable of.
Why is this?
Because the music is both catchy and unique. There are at least ten different music styles represented here, and each and every one of them is done nearly perfectly. The Wildflower Fields level has a great country style theme to it, the Crescent Moon Village level has a catchy yet haunting song that beats any ghost house music in any Mario game to date and the likes of the Toxic Landfill even has what sounds like an electric guitar based theme with a feel totally unlike anything you’d expect from a Nintendo game. Have a listen to some of these songs and tell me they’re not impressive for GBA music:
Above: Heavy metal/electric guitar music in a platformer works surprisingly well…
Above: Ridiculously relaxing
There’s something else that’s neat here too. Yes, this game has actual singing in it! You know, actually audible vocals on a GBA!
Not in a satanic or literal sense mind you, but more in a ‘this game is actively trying to sabotage your attempts at winning’ one. Yes, Yoshi’s Island DS is pretty much the nearest thing Nintendo have ever made to a kaizo style ROM hack, and seems to be designed by someone who thinks the best measure of game quality is how much it can predict its players behaviour and make their experience a living hell.
That said, it isn’t a bad game in itself, just an annoying one. The graphics are very well done and mostly match the style of the original (while still updating it to look good on modern systems). And while the music is often rather poor compared to the amazing soundtrack of the original title, it’s most bad in a bland and inoffensive rather than ‘ow my ears are burning in agonising pain’ way.
But it does start to falter a bit in the level and game design in general. For one thing, the difficulty curve is basically non existant. It starts out easy for a world or two, then hits about halfway through world 3 and ends up at roughly Yoshi’s Island 1 endgame level. And past world 5-1? God help any player who even attempts it.
You can see this best in how many insta kill elements get chucked in your face as you progress through the adventure. Whereas in the first game the levels generally went light on the ‘kill Yoshi in one hit’ traps and made somewhat logical looking levels that could still challenge the player, Yoshi’s Island DS just chucks them all over the place. Hell, some levels like Moltz the Very Goonie’s Castle:
Above: How many spikes did they shove in there?
And Bowser’s Castle itself feel like they’re made of nothing but spikes as a crutch to cover poor level design. That only gets worse in the secret and extra levels where any pretense of the game being legitimately fair go flying out the window.
Take A Light in the Dark for instance. Interesting secret level, but it’s just too long and too difficult to be even remotely fair. You’ve got a huge maze filled with darkness and spikes, then a blind skiing section with lots of precision jumps to make and then even more platforming before the level’s over. Let there be Light? You have to jump off a switch over a spike pit, something which requires literally frame specific precision. And when you see things like the lava trap in another secret level (of the ‘mess up and go back three rooms and try again) kind or the damn near impossible to predict with any accuracy egg platform in Yoshi’s Island Easter Eggs, you realise that the game was blatantly made by someone who didn’t really know what they were doing.
Above: I don’t think anyone even knows how to beat this room without dying at least once. Heck, I don’t think the likes of Professor Layton could figure out the ‘legit’ strategy…
Indeed, that whole room shown above is just so ‘random’ there’s no real way of even judging it. You fire eggs at the platform wheel, it moves. Fire quicker and it moves/accelerates quicker. Hit the wheels above the spike barriers and they move up. But the control scheme is so imprecise and the ways to mess up so easy that nearly every attempt ends in certain failure. Go too slow and you run out of eggs. Go too fast and the platform shoots straight past the barrier and leaves you stuck in an unwinnable situation. It’s not well thought out or designed at all.
And honestly, much of the game is kind of like that. You’ve got areas and bosses like the first few which are too easy to the point they probably weren’t tested well, you’ve got parts of levels where traps you can’t see or predict in advance get sprung on you at random and a general zero acceptance for minor mishaps (no items here, if you run out of points or eggs, you’re literally incapable of getting a good score or sometimes beating the level).
But despite what I said about poor level design, the game is still pretty fun. The platforming is fun, the basic game mechanics work about as well as they did in the original and there are brilliantly unique ideas in here (like the boss fought in freefall), it’s just that the game is just a little too frustrating for most people.
Above: Probably one of the most interesting bosses I’ve seen in a 2D platformer. Maybe Super Mario Galaxy 3 should use a similar concept except in 3D...
The extra modes are pretty good as well. Time Trial is neat to have, although the whole ‘get items to lower your time’ kind of kills the point of it all, the mini games are fairly decent if you like that kind of thing and the enemy museum is actually pretty cool if you want to see how the monsters act without getting hurt in the process.
And there’s one more important piece of advice for you. So listen up! Time keeps on ticking even as you are reading this message!
Above: The Time Trial messages are… funny too.
And while the transformations and things are fairly rare this time around, some of the new stuff involving them is pretty cool. A rocket that takes you up into the stratosphere and has you avoid planets on the way to the next part of the level? That’s pretty unique for a Yoshi game. As is the kangaroo riding and mine cart related gameplay.
All in all, Yoshi’s Island DS is a fairly decent game if you like difficulty and has some pretty fun concepts. It’s got some good boss battles and levels, some fairly nice music and some clever new ideas in general, so it’s definitely had some effort put into it. Just keep in mind that the difficulty does severely ramp up during the later stages and that it’s not a game for the faint hearted.
If you don’t like difficulty? Just seriously play something else, because this isn’t the game for you.
Note: This review was originally posted on Talk Nintendo before it’s closure, and the opinions of the author may have changed since that time.